Why is Malian music so good

Why is Malian music so good?

Amongst the many types of music that can be found in the world, Malian music can be the most impressive. For starters, it’s got a unique and very interesting rhythm. The rhythm is called a ‘djembe’, and it can be heard all over the African continent. Besides, it has a very beautiful melody. This is why it’s able to stand out in the midst of all other forms of popular music.


Among the most prominent musical instruments in West Africa, the djembe is a goblet-shaped drum made of wood. It is used for playing rhythms and solo pieces. It is a very loud and versatile instrument. It is popular with musicians in Europe and America. A typical ensemble often consists of a soloist, two or three dundun players, and other percussion.

The djembe has three basic sounds: slap, tone, and bass. They are produced by hitting the different parts of the hand. The djembe is also played with rudiments, which are a series of basic patterns that increase the sharpness and control of the drum.

The djembe has a wide range of pitches, from low to high. The lower pitches are called bass, and the higher ones are known as tone. The bass is generally struck with a heavy, flat palm.

Photo Credit: Celestinesucess

The djembe is traditionally made from a goat skin, although it is also made from other materials. In Mali, djembes are carved from djem tree wood. The skin is then wrapped over the ring mounting and the ring is secured with a rope.

The djembe is made by blacksmiths. They cut the tree and then make an offering to the tree spirits. The djembe is carved soon after the tree has fallen. The edges are pierced and threaded with wire rings. They are called segesege in Mali, and kesekese in Guinea.

The djembe is typically played for cultural events. The djembe is also used in national ballets. The music of djembe is incredibly expressive and full of energy. It has also been a major influence on international music. There are many djembe artists around the world. In recent years, you’ve probably seen the djembe in pop music, too. The instrument has become popular with artists like Youssou N’Dour.

The djembe is a very versatile instrument, and it can be played as a solo instrument or in combination with other percussion. Performing djembe music requires an open heart and mind, and the ability to master the instrument. There is a wealth of mythological tradition surrounding the djembe. The djembe drum has a rich history and is an integral part of spiritual life in West Africa.

Traditional music

Despite the current turmoil in Mali, traditional music is still alive in the country. This music is characterized by a large variety of instruments. The most common are the kora (a West African harp), the balafon (a type of xylophone), and the ngoni (a string instrument from West Africa).

In addition to its historical roots, traditional Mali music is an important part of the country’s cultural heritage. The jelis, a group of hereditary musicians, continue to play and perform this music. The jelis have their own musical repertoire and use their own instruments. These musicians also perform at weddings.

Many of the famous musicians in Mali are women. Babani Kone is one of the most popular female singers in the country. She has recorded four albums aimed at the dance floor. She was awarded the prize for best solo vocalist at the 1984 Biennale festival.

Traditional music
Photo Credit: Jérôme

Other well-known Mali female singers include Fanta Sacko and Bako Dagnon. Their repertoire combines traditional with non-Mali rhythms. These singers are not known outside Mali.

Another highly acclaimed Mali singer is Rokia Traore. She is a world music sensation. Her style includes elements of flamenco and blues. She has been recognized for her outspoken lyrics and her unique ability to land on unison themes with precision.

Another renowned Mali musician is Modibo Kouyate. He played electric guitar in the late 1980s. He introduced pedal effects to the sumu ensemble and confirmed the central role of women singers in Malian popular culture.

He is the son of renowned guitarist Ali Farka Toure. Vieux Farka Toure has stated that Mali will not exist without music. This has indirectly promoted the development of traditional Mali music.

The Mande people are a distinct ethnic group that inhabits several West African countries. Their ancestral homeland is a triangle of savannah straddling upper Guinea and western Mali. Its history stretches over thousands of years. The Mande have a unique cultural identity that is rooted in an ancient idiom.

Whether it’s traditional or contemporary, Mali’s musicians are able to create and perform music in spite of the violence and persecution they face. They have a rich tradition and are constantly experimenting with new forms of music.


Despite the fact that it is a predominantly West African nation, hip hop in Mali has a lot in common with American hip-hop. The MCs, who often refer to themselves as the “voice of the voiceless,” are a self-confident group that takes pride in their mission to speak out and promote social change.

Hip hop in Mali started as a reaction to the country’s sociopolitical state. After a popular student uprising in March 1991, Moussa Traore’s military dictatorship was overthrown. This injected a huge amount of energy into the rap scene in Mali.

Rap in Mali has taken on a more political role in recent years, with young urban Malian rappers using the medium to express their frustrations with the sociopolitical climate. The rappers also take pride in the fact that they are speaking out for the African people, which helps to build their confidence as citizens.

Some of Mali’s earliest rap pioneers were already putting together flows in Bamana by the late ’80s. They were influenced by the rhymes of Ice T, Kurt Blow and Eric B & Rakim.

Tata Pound, who won Mali’s first national televised rap competition in 1995, was a prominent rapper with combative lyrics. His song, “Cikan,” was released in the run-up to the presidential election. The song lit the streets like a bush fire.

Then came Les Sofas, a loose ad hoc collective of activists, radio hosts, and rappers. The group called press conferences, issued statements, and advocated for the return of constitutional rule. They also criticized the Mali political establishment for its self-interested reading of the constitution.

The two most successful Malian hip hop acts are the duo of Master Soumy and Sidiki Diabate. They are the sons of kora virtuoso Toumani Diabate. They are the 71st and 72nd generation in a direct line.

Their music is a blend of funky wordplay and cleverness. It addresses issues such as AIDS, polygamy, political corruption, and feminism. They use balafon, a wooden-keyed percussion instrument. They have a similar feel to the American Idol.

Is Mali Music African?

Is Mali Music African
Photo Credit: Magharebia

Absolutely! Mali Music is a Grammy-nominated singer, songwriter, and producer who hails from Savannah, Georgia. However, his music is heavily inspired by the sounds of his ancestral home in the West African country called Mali. He incorporates traditional West African instruments into almost all of his songs and often sings in both English and Bambara (a dialect spoken in western Africa).

In addition to being influenced by traditional African music styles, Mali Music’s lyrics explore topics such as religion and social issues that are relevant to Africans today. His songs draw attention to topics like racial injustice and poverty which are shared experiences for many people across the continent. It’s clear that he has a deep appreciation for his heritage as an African man living in America — something he proudly expresses through his art.